Tuesday, 1 May 2012

Festivals that Indians celebrate


TAMIL NEW YEAR
April: The 13th or 14th is the beginning of the first month Chittirai of the Tamil year, it is celebrated as the New Year, which is also known as Chittirai Vishu. 
Early in the morning on this day, the entrance is decorated with Kolam (Rangoli). The doorways are adorned with mango leaves to mark the auspiciousness of the occasion. (If mango leaves are not available, flowers can be used). After an early bath, the whole family prays together, after which the children are supposed to take the blessings of their parents. No specific mantra is recited. 
Since this festival marks the beginning of the New Year, food prepared is very special, with particular emphasis on pulses and cereals.



UGAADI (Telugu New Year's Day)
It is believed that the creator of the Hindu pantheon Lord Brahma started creation on this Ugadi day. Indian Mathematician Bhaskaracharya's calculations proclaimed the Ugadi day from the sunrise on as the beginning of the New Year, new month and new day. Special dishes are prepared for the occasion: Mixed rice made with a specially made spiced Tamarind Paste (known as Puliyotharai /pulihora/puliogure in Tamilnadu, Andhra pradesh and Karnataka). As with the Pongal day for Tamils, Ugadi day celebrations are marked by literary discussions, poetry recitations (kavi sammelanam) and recognition of authors of literary works through awards.



SRI RAMA NAVAMI
This signifies the birthday of Lord Rama, in the month of April. The house is decorated with Kolam and entrances with mango leaves. After an early bath, prayers are recited. 
Once the prayers are completed, kumkum mixed with water is placed on a brass plate and a lamp is lit in the middle, after which aarti is performed. 
Significant foods include a salad of soaked moong dal, raw mangoes and carrots. Thinned buttermilk with asafetida, salt, curry leaves and mustard and jaggery water with a tinge of ginger are the typical Rama Navami drinks.



CHITRA POURNAMI

This occassion falls on the full moon day on the Chithirai Natchathiram. The full moon day of Chaitra month, that is, the Purnima during the ascendency of the Chitra star is particularly sacred to the Chitra Guptas, the recording angels of the Hindu pantheon. A special worship is offered to these celestial representatives of the god of death, and an offering of spiced rice is prepared and later distributed as prasad or holy sacrament. A fire worship is done at the close of the ritualistic worship. By the performance of this religious observance annually, these angels of the other world are greatly pleased and judge man's actions with more sympathy. 

The term Chitra Gupta means "hidden picture". A true picture of all our good and evil actions is preserved in the ethereal records. The Hindu personifies it for the sake of worship. The real significance of the worship of the Chitra Guptas is beautifully brought out in the following story connected with it. 

The psychological effect of this worship, done on the very first full moon day of every year (Chaitra is the first of the twelve months), is to vividly remind us of the higher power that maintains a constant watch over every act of ours on this earth-plane. This memory serves as an invisible check on one's conduct. The conception of the Chitra Guptas as located within each shoulder is a powerful inducement to keep oneself engaged in constantly doing good actions only.

A special day and special festival. Poornima is a day dear to the Mother. Both full moon and new moon days are good for propitiating forefathers. In astrology, moon is matru karaka. Austerities on this day please the spirit of one's mother. It is on this day that the Umamaheswara vratam is observed. Ancients believed that austerities on poornima in the months Chittirai and Aippasi keep the souls of ancestors resting in peace.



VASANTA NAVARATRI
THE DIVINE MOTHER or Devi is worshipped during the Vasanta Navaratri.



VAIGASI VISAGAM
This occassion falls on the Visagam Natchathiram which is Lord Murugan's Natchathiram. It is a full moon day. On this day (in May-June) Lord Muruga was born with the mission of saving earth from demons like Soorapadman. Vaikasi Visaka, when Visaka and poornima meet, is particularly auspicious for worship of Subrahmanya.



AANI DHARISANAMA
An abishegam is performed for Lord Natarajan in the morning on Aani Uthram. It is believed that Lord Nataraja gives darshan in the months Ani and Margazhi. One of these is Ani Thirumanjanam, the pradosha abhishekam on the evening of the day of Uthiram star in the month Ani (June-July). This is the best time for worshipping Lord Shiva. Scriptures say it was on Ani Uthiram, under a kurundai tree, that the Lord offered upadesa to Sage Manikavasagar. Legends have it that during the abhishekam to the Lord, as everyone watched, the sage merged in the Lord as a brilliant flame.



ADIPANDIGAI
It is believed that the 'Surya Bhagawan' (the Sun God), changes the direction of his chariot from north to south, so this changeover is celebrated as a festival. This falls sometime between July 15th and August 15th, the beginning of the fourth month Aadi of the Tamil calendar. The house is adorned with fresh mango leaves and kolam. Milk extracted from coconuts is considered special in these days.


This festival is celebrated for the birth of the Tamil month of aadi. A lot of festivals are celebrated in the month of aadi. This is the beginning of all the festivals during the festival season. Once aadi festival starts all other festivals follow one by one. During the month of thai and aadi the sun changes directions so it is celebrated in that way. 
Aadi festival is special for various ammans. It is celebrated in a special way in temples like mangadu, kamakshi temple etc. All sundays, Tuesdays and Fridays of this month are auspicious. 

Every Friday is celebrated as "Aadi Velli". On the first Friday we make kozhukkattai for Lord Ganesha.

We make coconut milk payasam on fridays. 
The new moon day of this month is celebrated as "Aadi Amavasai" which is to remeber our ancestors who have reached God. That day donations will be made.
The pooram star of this month is celebrated as "aadi pooram" as the birthday of Aandal. It is celebrated in all temples in a grand manner.

The 18th day of this month is celebrated as "Aadi perukku" or "Pathinettam perukku". Since rain flows in this month, the rivers are filled with water. Water is also given from dams to agriculturists. On this day, we prepare all varieties of rice and vadams etc. taking all to nearby river or beach with friends and give them manjal kunkum, vetrilai pakku, clothes etc This done to praise Goddeess Cauveri (Cauvery river). It is to thank all the rivers because they provide water.
On this day we take head bath and go to temples. We listen to Amman songs.



AADI PURAM
A Laksha Archanai is performed for Goddess Durgai. This celebration lasts for three days. . Adi Pooram is said to be the day when the Mother gave darshan to deities like Sri Devi and Andal, and the day Uma attained womanhood. Hence the celebration of Adi Pooram as a grand festival for the Mother in temples. It is said that dakshinayana is ideal for worship of Shakti and utharayana for worship of Shiva. The offering of pulse sprouts on Adi Pooram day symbolizes Shakti's engaging in creation on this day. Andal, the only woman among the 12 vaishnavite saints who composed Divya Prabhandham, is said to have been born on this day. Perur Puranam stresses that worship of the Mother on this day yields immense benefit. Indeed, all four Fridays in Adi are ideal for worship of the Mother. There is special puja on these days in temples.



ADI PERRUKKU
This festival when the river is worshipped as the embodiment of woman falls on the 18th day of Adi (July-August). At embankments on rivers, in olden days when dams were unknown, women from farming families prayed to the river to flow perennially to enable them raise three crops in the year. River mother, they prayed, on you depends our livelihood! Wearing new clothes and carrying chitranna - sweet pongal, tamarind rice, coconut rice, lemon rice, and a variety of side dishes including pappad, vadagam, chutney, and buttermilk - they went to riverbanks and worshipped the river waters with traditional offerings like coconut, plantain, betel leaf and areca nut. Hailing the flowing river as Mother Kaveri, they adorned her with ear ring and black beads. Newly weds are on this day offered special reception by the bride's parents. Let us pray to Mother Kaveri that water flows perennially, rendering the earth fertile .


ADI AMAVASAI
On the darkest night of the month of Adi (July - August) called Adi Amavasai a fast is undertaken in remembrance of departed fathers. It is a day of worship and of abstinence from meat and fish.



ADI VELLI & VARALAKSHMI VRATAM
LORD SHIVA describes the glory of this Vrata in the Skanda Purana. It is performed by a woman whose husband is still living. Maha Lakshmi is the abode of all auspiciousness and prosperity. This worship of Maha Lakshmi is done to obtain good progeny, and for the health and long life of the husband.

The Vrata is observed on the Friday immediately preceding the full moon day of the month of Sravan (August-September). After a purificatory bath, the lady should put on a clean, fresh cloth and make a mandala with the drawing of a lotus upon it. A kalasha filled with rice and topped with fresh mango leaves, a coconut and cloth are placed on the mandala and Lakshmi is invoked therein. Fresh grains are used in the worship as they convey the idea of growth and prosperity. 

After the worship of the kalasha, follows the worship of Ganesha, then the worship of the raksha or the sacred thread. Now the main worship of Vara Lakshmi begins and the raksha is worshipped a second time. It is then tied to the right hand of the lady. After the worship various auspicious articles are given as charity to some deserving lady whose husband is alive. This lady is also fed with dainties. 

Lakshmi not only bestows wealth and all sorts of material prosperity, but also imparts divine wisdom to all Her devotees. She is Vidya Shakti. She introduces Her devotees to Her Lord. She recommends them to Her Lord for their salvation.



VINAYAKA CHATURTI
The birthday of Lord Ganesh, the son of Shiva and Parvati, is celebrated with great vigor in the month of Aavani (August-September). 
His birth was in sukla paksha chaturthi on a soma vasara (Monday) with Visaka star and simha lagna. It is this day each year we celebrate as Vinayaka Chaturthi. From its chandra mana calculation the festival is referred to as Bhadrapada Sukla Chaturthi. Like the chaturthi in moon's waxing phase, the chaturthi in the waning phase is celebrated as Sankataharana Chaturthi

Early in the morning, the head of the family makes a form of Ganesh from a paste of turmeric and water, approximately one inch in diameter and one and a half inch in height. 

The turmeric Ganesh is placed on a brass plate and archana (showering of flowers) is performed. Kozhukattai (sweet momos with sweet or salt fillings) is the main offering. On the next day, the form of Ganesh is immersed in water.



AVANI MOOLAM
The Avani Moolam festival celebrated in Madurai on the Moolam constellation day in the month of Avani, depicts of the legendary sports of Lord Shiva at Madurai. It is a picturesque festival with distinctive local colour, the eating of pittu, is a part of the day's engagement for the devotees.



ONAM
It is the festival, which the keralites celebrates unitedly without the differecnce of caste and religion.
Onam is a celebration of Ten days. It comes in the month of "Chingam" according to Malayalam calender. People put flower mats in front of their houses, to welcome the King. There will be competition for the laying of flower mats; Keralites all over the world will be celebrating this ten days will pomp and gaiety. They will wear new dresses, will be visiting almost all temples which they can, they will be performing lot of dances like Thiruvathira kali Thumbi Tullal etc. to name a few and the most important thing is the grant lunch they will be having on the Thiuruvonam day. Which is also called the Fourth Onam. Whatever may happen they will not miss the Grant lunch. There is a saying in Malayalam that "Kanam Vittu Onam Unnanam" which means "We should have the Thiruonam lunch even if we have to sell all our properties". They give that much importance to the lunch on the Thiruonam day.


GOKULASHTAMI OR KRISHNA JAYANTI
The birthday of Lord Krishna, the son of Vasudeva, is celebrated in the month of Aavani (August-September). On this occasion, kolam is made out of rice batter. For this, rice is soaked in water overnight and ground into a fine paste. Then water is added to it to make a finer paste; this paste is used to draw designs on the floor). Apart from the usual designs, the significant symbol is a pair of small feet drawn from the entrance of the house to the puja room, signifying the entry of baby Krishna into each home. 
Snacks and food items believed to be the favorite of Lord Krishna are prepared with great care. 
The most important of these are: 
1. Seedai (a small round savory made of rice and flour, and fried in oil) 
2. Sweet seedai (made of rice flour and jaggery) 
3. Verkadalai urundai (groundnut and jaggery balls) 
This festival is celebrated in the evening, when pooja is performed after sunset. Dinner is special as most people fast during the day and eat only after the pooja.



NAVARATHRI
Celebrated over a period of ten days (including Vijaya Dasami), this festival includes an exhibition of dolls called kolu, depicting the various avatars or forms of gods and goddesses. This festival begins on the new moon day and lasts for 10 days. . This is the popular autumnal festival Sharada Navaratri when Durga, Lakshmi and Saraswati are worshipped. There is a belief that the first three days are for worship of Durga and the breeding of courage and valor in the world; the next three for worship of Lakshmi for universal prosperity; and the last three for worship of Saraswati for growth of learning.

The dolls are arranged in a series of steps (made of wood or metal); usually, three or five steps are constructed, and a white cloth is spread over them before the dolls are displayed on the day of Mahalaya Amavasya (usually in October).

The host invites friends and relatives to come and accept thambolam (patal leaf, haldi, kumkum and fruits). On each of the ten days of festivities, prasad (called sundal) is cooked and distributed among the guests. Different types of sundal are made of pulses like moong dal, chana dal, chole and rajma. 

The host may also gift the guests other things like blouse pieces or saris, depending on the financial status of the family.
(a) Saraswati Pooja 
On the most important ninth day of the Navrathri, the Mahanavami is celebrated as Saraswati pooja, where books, musical instruments and other signs of learning and the arts are arranged in front of the kolu. Shlokas are uttered and archana done. After this, aarti is performed. The books and instruments placed before the goddess are not distributed until the next day. 

(b) Vijay Dasami 
On the day following Saraswati pooja, archana is performed. Again, books are read and musical instruments played. This is the most auspicious day for the Vidyarambham.



DEEPAVALI
Deepawali is celebrated to proclaim the victory of Lord Krishna over Narakasura the demon, symbolizing the victory of good over evil (October-November). 

There are various alleged origins attributed to this festival. Some hold that they celebrate the marriage of Lakshmi with Lord Vishnu. In Bengal the festival is dedicated to the worship of Kali. It also commemorates that blessed day on which the triumphant Lord Rama returned to Ayodhya after defeating Ravana. 
Celebrations begin about 4 a.m. in the morning, and Deepalakshmi pooja is performed even before taking a bath. A lamp with five wicks is lit and new clothes are kept on a wooden or brass tray along with crackers and sweets. Flowers, betel leaves, and yellow bananas are also placed on a brass plate. 

Immediately after the pooja, the youngsters of the house burst some crackers and come back to have an oil bath. Sesame seed oil is slightly heated along with some jeera and pepper and is applied on to the family members by the eldest woman, accompanied with songs. 

After the bath, the blessings of God and parents are sought. New clothes are gifted to the children by the parents, after which crackers are burst. Deepawali is also a day for meeting friends and relatives.



SKANDHA SASTHI
This starts the day after Deepavali and lasts for six days. Each evening on the first five days a Skandha Sashti Archanai is performed. On the sixth day an Archanai is performed for Lord Murugan in the morning and Skandha Sashti is finished by the afternoon. 

On this day, Lord Muruga vanquished the demon Surapadman. This is celebrated with great eclat in temples, especially in the six places sacred to Muruga (aaru padai veedu, in Tamil) - Tiruchendur, Tirupparankunram, Pazhamudir solai, Palani, Swamimalai, and Tiruttani

For six days from that day, one worships Muruga, limiting meals to one each day and eating just a little of what is offered to the Lord. Those unable to do so can take some milk and fruits at other times. In the six holy places identified with Lord Muruga, thousands of the devout fast on all six days, taking but the holy water spooned out in the shrine. One can also observe the austerity by taking milk and fruits on the first five days and fasting completely on the sixth, Sashti. On the seventh day, one has to offer curd rice to the Lord; then break the fast, eating prasad along with others.

In addition to the Skanda Sashti, devotees of Lord Subramanya observe weekly and monthly days in His honour. Every Friday, or the Kartigai Nakshatram day every month, or the sixth day of the bright fortnight,-all these are sacred days for His devotees. The sixth day of the month of Tulam (October-November) is the most auspicious of them all. This is the Skanda Sashti day.



THIRUKARTHIGAI
Occurring in the month of Karthigai (November-December), this is the festival of lights. Women of the family bathe in the morning and a festive lunch is prepared. In the evening, brass and clay lamps are lit after a pooja. 
After the pooja, lamps are lit at various places inside and outside the house.



VINAYAGAR VIRTAM
Markazhippillaiyar is a festival in honour of Pillaiyar celebrated in December-January. In the mornings, a figure or representation of this deity is fashioned out of cowdung, placed in the middle of an open space and worshipped. In the evenings, the figure is brought into the house and kept in a vessel. At the end of the festival, all the figures are burnt and the ashes are used as viputi by the members of the family.



THIRUPALLI EZHUCHI
Every morning is performed before 5:00 a.m. Margazhi Dharsanam - This occassion is celebrated on the Thiruvadharai Natchathiram. An abishegam is performed for Lord Siva at 6:00 a.m.



ARUDRA DARISANAM (Thiruvadirai)
Falling on the day of Thiruvadirai star in Marghazhi (November-December), is a festival of great importance. The sweet dish offering on this day, Thiruvadirai kali, is something with which everyone is familiar. Arudra star is one of two stars that have the prefix "Thiru." The other is Thiruvonam, favored for worship of Maha Vishnu. Thiruvadirai is favored for Shiva. this day is celebrated as the birth anniversary of Saint Thiru Gnana Sambandar and the day when that saint, while a baby, was breastfed by Parvati. In Thirupperundurai, the day is observed as the birthday of Saint Manickavachakar. Karanagama says we should worship the Divine Dancer on Thiruvadirai in exquisite Marghazhi.



VAIKUNTA EKADASI
Falling in moon's waxing phase sukla paksha in Marghazhi (December-January). There are two ekadasis each month, but this one in Marghazhi is considered special. The import of the ekadasi vrata is, that one can conquer rajas and tamas through fasting and go on to a better life. There are two ekadasis each month, but the year as a whole has one more, making for 25 in all. The Dhanur month sukla paksha ekadasi is Vaikunta Ekadasi . Elders have laid down that Lakshmi will bless those who observe all 25 ekadasi vratas and worship the Lord with tulasi



BOGI
This is the last day of Margazhi and the day before Pongal. It usually falls on the 13th or 14th of January. On this day, lunch is elaborate, made of avial, pongal (rice and dal), vada, payasam (kheer) and papad.

In the evening, old and unused things like straw mats, brooms, old clothes etc. are burnt on a bonfire (accompanied by drum beats produced by children), signifying the death of the old and the birth of the new. Houses are cleaned and whitewashed.



PONGAL (Makara Sankranti)
Pongal marks the birth of the new month thai, a very auspicious month. In the morning, milk is boiled and pongal is cooked. Sometimes this is done out in the open to indicate respect for the Sun God. Lunch is elaborate and is cooked with freshly harvested cereals and rice. Pongal is also known as the harvest festival. New ventures and marriages await the birth of thai. Pongal is also a day of distributing gifts.

The day following Pongal is called Mattu Pongal, which, translated literally, means cow's Pongal. On this day, cows and bullocks are bathed and dressed up for the occasion. They are then taken all over the city or village. In villages, this is a cause of major excitement, since bull fighting or jallikattu takes place.

Thai Poosam - This occassion falls on the Poosam Natchathiram on the full moon day. A festival occurring in Thai (January-February), on the day of the star Poosam either on Pournami or around that time. In the morning of the day before Thai Poosam, Punar Poosam, the ratham is taken from the Sri Thendayuthapani Temple to the Pillayar Temple. In the evening it is brought back. On the day of Thai Poosam many devoties take Kavadii and Paal Kudam. The day on which Parvati's curse on Subrahmanya was lifted was a Thai Poosam. It is thus a special day for worship of Lord Subrahmanya, taking kavadis loaded with milk pots for offering to him for eradication of ills afflicting us



MAASI MAHAM
Celebrated on the Makam day in the tamil month of Maasi. On this day, the deities are taken around in procession to the nearby rivers/tanks/sea for bath. It is an important festival day for Lord Muruga. Once in 12 years, the Maham festival is celebrated in a grand manner (known as Mahamaham) in Kumbakonam.



SIVA RATHRI
One of the prehistoric festivals of India is Sivaratri, or night of Siva. Siva is an ancient deity. Literally 'the great night of Shiva', celebrated on the moonless night of the month of Phalguna, which is fourteenth day in the dark half, this festival is specially dedicated to Shiva, the destroyer. 

Sivaratri signifies the end of winter and the arrival of spring as well. 
People get up earlier than usual, take a bath preferably in a river, lake or at home. Then they go to a temple nearby or set up a small linga at home. 
They commence the rituals (pooja) in the usual manner of sprinkling water, offering flowers, leaves, incense , wave bits of burning camphor on a plate (aarati), etc while listening or repeating the mantras. 

This is an important day for the devotees of Shiva, who stay awake throughout the night, praying to him. In all major centers of Shoveling worship, Shivaratri, also called Mahashivaratri, is a grand occasion. From the very early morning, Shiva temples are flocked by devotees, mostly women, who come to perform the traditional Shoveling worship and hence hope for favors from the god. All through the day, devotees abstain from eating food and break their fast only the next morning, after the nightlong worship.The day is considered to be specially auspicious for women. According to one myth, Parvati performed tapas, and prayed and meditated on this day to ward off any evil that may befall her husband on the Moonless night. Since then, Mahashivaratri is also believed to bean auspicious occasion for women to pray for the well-being of their husbands and sons. An unmarried woman prays for a husband like Shiva, who is considered to be the ideal husband.

Devotees bathe at sunrise, preferably in the Ganga, or any other holy water source (like the Shiva Sagartank at Khajuraho). They offer prayers to the sun, Vishnu and Shiva. This is a purificatory rite, an important part of all Hindu festivals. Wearing a clean piece of clothing after the holy bath, worshippers carry pots of water to the temple to bathe the Shoveling. The temple reverberates with the sound of bells and shouts of Shankerji ki Jai or'Hail Shiva'. Devotees circumambulate the linga, three or seven times, and then pour water over it. Some also pour milk.

There is another possible reason for the origin of the all-night worship. Being a moonless night, people worshipped the god who wears the crescent moon as an adornment in his hair, Shiva. This was probably to ensure that the moon rose the next night.

The linga is bathed with milk, water and honey. It is then an nointed with sandalwood paste. People offer wood apple or bel leaves and fruit, milk, sandalwood and jujube fruit or ber to the linga. Shiva is believed to be very hot tempered, and hence things, which have a cooling effect, are offered to him. People decorate the linga with flowers and garlands and also offer incense sticks and fruit. In bigger temples, there is almost a stampede as devotees seek favors from the beloved god. Many also employ the services of a priest to perform special prayers.



PANGUNI UTHIRAM
Falls in the month Panguni (March-April). This month is special because of the star Uthiram and pournami occurring together. Besides, it is on Panguni pournami Uthiram that the marriage of Parvati and Parameswara, Muruga and Devasena, and Andal (also known as Kothai) and Rangamannar took place. On Panguni Uthiram, in all places where Lord Subrahmanya has a temple, his devotees carry in a kavadi the requisites for puja for him, in fulfilment of vows. Such vow fulfilment by devotees carrying kavadis is a special feature of Subrahmanya temples wherever they happen to be.

Monday, 30 April 2012

Sai Baba's Teachings


Sai Baba of Shirdi is the epitome of reverence a guiding force who generates supreme faith and confidence among his devotees looking for salvation and in quest of coming out of the drudgery of living. As a divine mother he is saturated with love for those who seek him. With his mission of making people about the divine consciousness and transcending the limits of mortal body, his teachings are guiding his devotees to the path of salvation. People are blessed who follow his teachings.

Among the teachings of Sai Baba of Shirdi there are the cardinal principles of Sai Path called 'Shraddha' and 'Saburi'. Sai Baba looks for these two qualities in his devotees. Here are the teachings and philosophies of Sai Baba of Shirdi.

Shraddha
'Shraddha' is a Sanskrit word, which roughly means faith with love and reverence. Such faith or trust is generated out of conviction, which may not be the result of any rational belief or intellectual wisdom, but a spiritual inspiration. According to Sai Baba of Shirdi, steadfast love in God is the gateway to eternity. Baba's teaching, both direct and indirect explicate the significance of 'Shraddha'. Baba reiterates the spiritual guidance of Shri Krishna to Arjun - "Whosoever offer to Me with love or devotion, a leaf, a flower, a fruit or water, that offering of pure love is readily accepted by Me". 

Saburi 
'Saburi'; means patience and perseverance. Saburi is a quality needed throughout the path to reach the goal. This quality must be ingrained in a seeker from day one, least he looses his stride and leaves the path half way

Purity 
For Sai Baba it was not the purity of the body but inner purity that mattered. No amount of physical and external cleansing would serve any purpose if the man remained impure in mind and heart. Therefore, Baba cautioned His devotees not to make austerity as an end itself, lest they should indulge in physical mortification.

Compassion
Himself an epitome of compassion and love, Sai Baba taught compassion among his disciples. Baba often told His devotees, 'Never turn away anybody from your door, be it a human being or animal'. 

Complete Surrender to the Guru
Sai Baba put Guru on a high pedestal of reverence. For Him Guru was the profound base of the path of devotion. Pointing to his physical frame, "This body is my house. I am not here. My Guru (Master) has taken me away". He asked for complete surrender to the 'Guru'.

Sai Baba's Teachings through 'Udi' and 'Dakshina'

Udi
Udi or the sacred ash was produced from the perpetual fire called 'dhuni' lit by Sai Baba in Dwarkamai at Shirdi. Explaining the meaning of life He would refer to Udi and taught that like Udi all the visible phenomena in the world are transient. Through this example Sai Baba wished to make his devotees understand the sense of discrimination between the unreal and the real. Udi taught the devotees discrimination or vivek.

Dakshina
Sai Baba would demand 'Dakshina' or alms from those who visited him. This explained the sense of non-attachment to worldly things. Hence Dakshina taught the devotees non-attachment or Vairagya. 

Miracles of Shirdi Sai Baba


Sai Baba of Shirdi is an epitome of spiritual perfection and has been the guiding source for the mankind leading to salvation. As a spiritual guru and savior Shri Saibaba was no ordinary fakir but an avatar of high order. This was evident through his miracles and sayings that exhibited his purpose and intention for which he had come. He would often say, "My Leela is inscrutable". Saibaba's Leela's (miracles) were plenty and varied; here are a few of the miracles of Shirdi Saibaba, for his devotees and those interested in his philosophies. 

Baba's Leelas (Miracles)

Lighting Lamps with Water
This is among the earliest evidences of Saibaba's miracles. Baba was fond of lighting earthenware lamps in his masjid and other temples. For this he needed oil, which he got from the grocers of Shirdi, as small donations. But there came a time when the grocers got tired of giving him oil for free. And so they refused him any oil saying they had no fresh stocks. Baba didn't say a word and returned to his masjid. But the masjid was not to remain in dark, as Sai Baba lit his earthenware lamps pouring water instead, which burnt deep into the midnight. Such was the miraculous power of Saibaba who lit fire out of water! When grocers came to know about it they rushed to him with apologies. Sai Baba pardoned them, but he warned them never to lie again. "You could have refused to give me the oil, but did you have to say that you didn't have fresh stocks?" he admonished them. But he had made his point. 

Premonition of Burning Fields 
Once, harvesting in Shirdi had been completed and the foodgrains of the entire village had been stored in a yard. Blistering summer was ferocious. One afternoon Saibaba summoned Kondaji Sutar and asked him to better rush to his field as it was on fire. Fear struck Kondaji ran to his field but there was not a trace of smoke. He got back and said so to Saibaba. Unfazed Baba asked him to look again and as the luck would have it, a part of corn was indeed afire and smoke was beginning to billow from it. With strong wind fanning the fire, Kondaji became jittery and asked Saibaba to do something. At this Baba walked to the yard and sprinkled some water and the fire immediately got extinguished. 

Stopping the Rain
There goes a story that one Rao Bahadur Moreshwar Pradhan s wife had come for Sai Baba's darshan. As the couple was about to leave, it began to rain heavily with thunder and lightening. Seeing the Pradhan couple in trouble, Saibaba invoked the God and asked the rain to calm down, which surely did and the Pradhan were able to reach their destination safely.

Raising the Water Level in Well
When Sai Baba first came to Shirdi it had of no basic facilities. There was a well put only in name, with no natural spring water. Villagers had tough time fetching water from a distance. When the villagers were to celebrate Baba's birthday on Ramnavami, there was obviously crisis of water in the region. But Saibaba with his miracles had solution for this problem as well. He showered some leaves into the well and lo and behold the level of water rose fulfilling the dire wish of the villagers.

Saving a Child from Drowning
Once a 3-year-old daughter of a poor man named Babu Kirwandikar had fallen into a well and got drowned. When the villagers rushed to the well, they found to their utter disbelief that the child was suspended in midair as if some invisible hand was holding her. This again was one of the many miracles of Saibaba that saved people from distress. 

Flow of Godavari (river) from Baba's Feet
As recounted by Das Ganu, one of the disciples of Shri Saibaba, once he sought permission from Baba to visit a place called Singba on the banks of Godavari to have a holy bath. Saibaba refused and said what was the use of going that distance when Godavari was right under his feet. Das was puzzled. Realizing the doubt in Das's mind Saibaba asked him to come closer and hold the hollow of his palms at Baba's feet. As soon as he did so water flowed freely out of the toes of the master's feet and filled the hollow of Das Ganu's palms in no time. His joy knew no limits. He sprinkled the water on his head and his body and distributed some more among the assembled devotees as tirtha (holy water).

Sunday, 29 April 2012

History of Indian Food


History of Indian Food – Introduction

Once considered the shining jewel in the British Empire’s crown, India can today be easily deemed as the huge, 60-carat diamond in the World’s flavored cuisine ring. The large variety of dishes, appetizers, snacks, side dishes and desserts have found numerous fans on an international scale, as Indian restaurants spread at an incredible rate, with an enormous success in every possible culture and in every possible corner of the World. Combining all tastes possible, the Indian cuisine is bound to satisfy spice-lovers, “salty” people and persons with a sweet tooth alike (although the latter will feel right at home, since India is a “sweet” country).

Some say that the Indian cuisine is almost as diverse as the entire European cuisine, because of the four different main regional styles: the North Indian cuisine (the regions Benaras, Kashmir, Mughlai, Punjab and Rajasthan), the South Indian cuisine (regions Andhra, Kannada, Kerala and Tamil), East Indian cuisine (regions Assamese and Bengali) and Western Indian cuisine (regions Gujarat, Maharashtrian and Malwani). The northern part of India is mostly rural, although it contains large cities such as Delphi or Calcutta, thus its cuisine is more agricultural than anything, wheat being a primary constituent of this region’s dishes. Southern regions however tend to be more exotic, more spicy in their dishes and rice is a constant ingredient in their food. To give the taste of their main dishes, North Indians use onions and coriander whilst southerners use a more exotic coconut base for their dishes.

The history of Indian food tells us that during the reign of the British Empire in India (the British Raj), the local cuisine was considered by the Europeans closely to what Gods taught of ambrosia: a delightful, heavenly and delicate dish. Many times, we ask how the Indian cuisine grew to be so popular, so diverse and so delightful. In truth, the question is quite dim…from a population of one billion people, is it really that hard to believe some of them are great cooks?…

But let’s take a closer look at what Indian dishes and snacks have to offer, providing a history of Indian food and a few related legends alongside. Ready your taste buds, because it’s going to be one juicy ride!

History of Indian Food - Indian Appetizers and Snacks

The history of Indian food and especially of Indian appetizers is closely related to the country’s culture and traditions. The Indian cuisine is as diverse as the Indian people and it has a large (and extremely rich) selection of appetizers, hors d'oeuvres, and snacks. Besides being extremely tasty and actually stimulating your appetite rather than diminishing it like some other cuisines’ appetizers, these fast snacks are also quite low in fat, since they are based on a number of spices and herbs, such as ginger, cinnamon, garlic, cloves, asafetida, aniseed or coriander, rather that the fat appetizers you’ll find mostly anywhere else in the World.

The majority of Indian appetizers and snacks are based on potatoes, combined with different spices. The Alu Ki Tikki for example, which is one of the oldest snacks recorded by the history of Indian food, is made out of mashed potatoes coriander and onions. Another snack greatly enjoyed by the British during the Raj period, the Samosa appetizer, made out of steamed potatoes, peas and vegetables, is one of the many Indian recipes that was passed on from ancient times.

Although most appetizers and snacks usually follow the same ingredients for each particular recipe, it should be noted that authentic Indian dishes can never be limited to a strict formula, since they differ from household to household. For example if you go to the North, in Punjab for instance and try out a Dahi Barra yogurt and fritter appetizer, it will definitely taste and even look slightly different than a similar Dahi Barra appetizer dish in Southern India’s Tamil region.

Because of this, when the British armies set foot in India, their cooks were dazzled by the sheer number of variations of the same dish. One legend stands out of the crowd from the history of Indian food, namely that of the British cook William Harold. William was quite an experienced chef, working for a rather successful restaurant in central London, when he was sent to India to help the war effort with his meals. Because his dishes were so delightfully well done, he was promoted to be the personal cook of a high ranking officer in the British Empire’s Army. One day, the officer ordered William to get the recipe for a local dish he ate and thoroughly enjoyed that day, named by the locals Bhel Puri, in order to mass-cook it for the troops

Because there were very few written recipes in India back then (locals were passing on their cuisine with each generation, usually orally) William started walking from home to home, knocking from door to door, in order to find the recipe for the Bhel Puri, which, even today, is quite a complicated appetizer. With every house he went to, he got another recipe, another kind of spice to put on top of the potatoes and rice (seemingly the only ingredients that remained constant in the dish) and another kind of oil to use.

After a long day of inquiries in which the poor cook was unable to find a stable recipe for the wonderful snack, he returned to the barracks, beaten and amazed by the variety of semi-recipes he managed to pile up. Seeing that he is back, the officer asked if he could serve the first portion of Bhel Puri that night, but William told him he couldn’t get any real recipe in his hands and ironically stated that “we’ll have to stick to French fries again tonight, Sir!”. Legend says that the officer, berserk with fury, took out his handgun and shot the cook dead, causing a mutiny amongst the barrack’s soldiers, who were both fed up with the officer’s cruel and disrespectful ways and in love with William’s heavenly cooking. That’s how a small bowl of Bhel Puri (or should I say the lack of it) shook an entire British barracks and caused a long night in the Court Martial offices…

All legends aside, we now know an approximate recipe to the Bhel Puri (somehow thanks to poor William too). The tasty Indian snack is made out of crispy puris, puffed rice, Indian sevs, chilli powder, potatoes, red onion, chat masala, coriander and lemon or mango juice. It comes in two dish “versions”, spicy or sweet. The spicy chutney includes garlic cloves, mint leaves, salt and green chilies, while the sweet chutney’s ingredients are cumin seeds, jaggery, sugar, tamarind pulp and boiled dates pulp.

History of Indian Food – Indian Sweets

Indian cuisine is known throughout the entire World as a sweet cuisine and this tag doesn’t come along without some extremely solid arguments. How else would you call a country’s cuisine if almost half its dishes are either sweets or desserts? Actually, Indian sweets have not only made Indian food famous throughout history, but they have been acquired and accommodated to European and North American dishes, finding great success in fancy “Baltic” restaurants through-out England, France, the United States or Spain.

The Rasgulla for example, one of the most popular relished sweetmeats in India, originating from the Eastern part of the country, has an interesting modern history. This dish produced by the boiling of small pops of casein in sugar syrup has become emblematic of the quintessentially effeminate stuff of ridicule of the Bengali people. This sweet dessert can be found in almost all Eastern Indian households, while global malls sell it like there’s no tomorrow.

Another Indian dessert that blends with the Hindu culture is the Payasam (or Kheer as it is called by the Hindi). This dessert has been an essential dish throughout the history of India, being usually found at ceremonies, feasts and celebrations. In Southern India, ancient traditions tell that a wedding is not fully blessed if Payasam is not served at the wedding feast, this tradition being kept alive with each generation, still being practiced by newly wedded couples, mostly in the southern regions, from where the tradition started in the first place.

The best and most popular Payasam dishes are found in the temples of Guruvayoor and Ambalappuzha. In the Ambalappuzha temple, Payasam is served as part of a tradition, based on an ancient legend. The legend states that Lord Krishna (the eight avatar of Vishnu, playing a major role in the Hindu religion) took the form of an old sage and challenged the great king who ruled over that region to a game of chess. Being a true chess player and a master of the mind game’s tricks, the king gladly accepted the sage’s invitation. Asking what the sage wanted in case he wins the game, the king remained bedazzled by the sage’s request: an amount of rice grains for each square of the chess board, each pile having double the number of grains than the previous pile. So the first square would have only one grain of rice, the second would have 2 grains, the third would have 4 grains, the fourth would have 8 rice grains and so on, each pile growing at a geometrical progression from the past pile of rice grains. Hearing this request, the king was shocked that the sage wanted only what he taught were a few piles of grain, when he could have betted for his whole kingdom or the immense riches that he held.

Naturally the king lost, (because playing chess against a God is not that easy, mind you) so he started placing grain piles on each square, starting with only one grain. He soon realized that the sage’s demand was not entirely what he thought of, when the number reached one million grains of rice by the 20th square. By the 40th or so square, the entire kingdom’s rice reserve was depleted and when he got to the last square he calculated that he would have to pay the sage 18,447,744 trillions of tons of rice, which he could have never paid off. The sage then revealed his true form, that of Lord Krishna, and said that the debt does not have to be paid immediately, but the king will have to serve Payasam freely in the temple of Ambalappuzha, to pilgrims, homeless or whoever comes there for peace of mind and prayer or for those seeking shelter. This is how the Payasam became famous, integrating in the Hindu culture. The tradition of freely serving Payasam in Ambalappuzha still lives today and pilgrims all over India have an easier ride knowing that a hot bowl of the sweet dessert awaits them at the end of their journey.

Western India also does a great job on satisfying the sweet tooth of its inhabitants, with one of the most delicious desserts you will be able to find throughout the history of Indian food: the Shrikhand. The Shrikhand is a creamy dessert made out of strained yogurt, from which all water is drained off, leaving the thick yogurt cream by itself. Adding exotic dry fruits like mangos only enhances the Shrikhand’s delightful taste to newer limits. This great dessert is one of Western India’s most popular traditional dishes, since it has ancient roots in the Indian cuisine. Comparisons of this dessert to the Indian people have stated that Indians are a people who like to extract the best of things from everything, leaving everything else behind, their true and hospitable nature being a result of the fact that they dry out every spiritual detail that has no substance or meaning.

Other important traditional Indian sweets and desserts, famous throughout the history of Indian food, include the following: Gulab Jamun (a popular Indian dessert made out of fried milk balls in sweet syrup), Mysore Pak (a delicious dessert made out of ghee, sugar and chick pea flour), Halwa (or Halva in modern English spelling; made out of semolina and sugar, the Halwa is one of the most popular Indian desserts that have spread in every corner of the World), the Kulfi (often referred to as Indian ice cream, the Kulfi is made out of boiled milk and a wide variety of mango, kesar or cardamom flavors), the Jalebi (a common sweet dish from North India, the Jalebi is basically a pretzel-shaped fried batter, which is soaked in syrup) and the Jangiri (the South Indian look-alike of the North Indian Jalebi).
History of Indian Food – Conclusion

As we can easily conclude, the Indian cuisine is closely related to the Indian history, each historical region developing a unique set of dishes, using diverse ingredients. However, a constant remains for all regions: the affinity for sweet desserts and spicy snacks. Besides being closely related to history, Indian cuisine is also strongly influenced by the Indian religion, Indian culture and traditions and the Indian people themselves.

If you can appreciate the facts behind the history of Indian food, the setting in which this great country’s cuisine was formed, the influences it took and the diversity it created, then you will surely appreciate one of their sweet desserts or one of their spicy snacks and appetizers. No other country has a wider selection of exotic dishes and no other country can offer such a large variety of impulses for your taste buds.

Thursday, 26 April 2012

Lord Shiva


Lord Shiva represents the aspect of the Supreme Being (Brahman of the Upanishads) that continuously dissolves to recreate in the cyclic process of creation, preservation, dissolution and recreation of the universe. As stated earlier, Lord Shiva is the third member of the Hindu Trinity, the other two being Lord Brahma and Lord Vishnu.
Owing to His cosmic activity of dissolution and recreation, the words destroyer and destruction have been erroneously associated with Lord Shiva. This difficulty arises when people fail to grasp the true significance of His cosmic role. The creation sustains itself by a delicate balance between the opposing forces of good and evil. When this balance is disturbed and sustenance of life becomes impossible, Lord Shiva dissolves the universe for creation of the next cycle so that the unliberated souls will have another opportunity to liberate themselves from bondage with the physical world. Thus, Lord Shiva protects the souls from pain and suffering that would be caused by a dysfunctional universe. In analogous cyclic processes, winter is essential for spring to appear and the night is necessary for the morning to follow. To further illustrate, a goldsmith does not destroy gold when he melts old irreparable golden jewelry to create beautiful new ornaments.

Lord Shiva is the Lord of mercy and compassion. He protects devotees from evil forces such as lust, greed, and anger. He grants boons, bestows grace and awakens wisdom in His devotees. The symbolism discussed below includes major symbols that are common to all pictures and images of Shiva venerated by Hindus. Since the tasks of Lord Shiva are numerous, He cannot be symbolized in one form. For this reason the images of Shiva vary significantly in their symbolism.



  • The unclad body covered with ashes: the unclad body symbolizes the transcendental aspect of the Lord. Since most things reduce to ashes when burned, ashes symbolize the physical universe. The ashes on the unclad body of the Lord signify that Shiva is the source of the entire universe which emanates from Him, but He transcends the physical phenomena and is not affected by it.
  • Matted locks: Lord Shiva is the Master of yoga. The three matted locks on the head of the Lord convey the idea that integration of the physical, mental and spiritual energies is the ideal of yoga.
  • Ganga: Ganga (river Ganges) is associated with Hindu mythology and is the most sacred river of Hindus. According to tradition, one who bathes in Ganga (revered as Mother Ganga) in accordance with traditional rites and ceremonies on religious occasions in combination with certain astrological events, is freed from sin and attains knowledge, purity and peace. Ganga, symbolically represented on the head of the Lord by a female (Mother Ganga) with a jet of water emanating from her mouth and falling on the ground, signifies that the Lord destroys sin, removes ignorance, and bestows knowledge, purity and peace on the devotees.
  • The crescent moon: is shown on the side of the Lord's head as an ornament, and not as an integral part of His countenance. The waxing and waning phenomenon of the moon symbolizes the time cycle through which creation evolves from the beginning to the end. Since the Lord is the Eternal Reality, He is beyond time. Thus, the crescent moon is only one of His ornaments, and not an integral part of Him.
  • Three eyes: Lord Shiva, also called Tryambaka Deva (literally, "three-eyed Lord"), is depicted as having three eyes: the sun is His right eye, the moon the left eye and fire the third eye. The two eyes on the right and left indicate His activity in the physical world. The third eye in the center of the forehead symbolizes spiritual knowledge and power, and is thus called the eye of wisdom or knowledge. Like fire, the powerful gaze of Shiva's third eye annihilates evil, and thus the evil-doers fear His third eye.
  • Half-open eyes: when the Lord opens His eyes, a new cycle of creation emerges and when He closes them, the universe dissolves for creation of the next cycle. The half-open eyes convey the idea that creation is going through cyclic process, with no beginning and no end. Lord Shiva is the Master of Yoga, as He uses His yogic power to project the universe from Himself. The half-open eyes also symbolize His yogic posture.
  • Kundalas (two ear rings): two Kundalas, Alakshya (meaning "which cannot be shown by any sign") and Niranjan (meaning "which cannot be seen by mortal eyes") in the ears of the Lord signify that He is beyond ordinary perception. Since the kundala in the left ear of the Lord is of the type used by women and the one in His right ear is of the type used by men, these Kundalas also symbolize the Shiva and Shakti (male and female) principle of creation.
  • Snake around the neck: sages have used snakes to symbolize the yogic power of Lord Shiva with which He dissolves and recreates the universe. Like a yogi, a snake hoards nothing, carries nothing, builds nothing, lives on air alone for a long time, and lives in mountains and forests. The venom of a snake, therefore, symbolizes the yogic power.
  • A snake (Vasuki Naga): is shown curled three times around the neck of the Lord and is looking towards His right side. The three coils of the snake symbolize the past, present and future - time in cycles. The Lord wearing the curled snake like an ornament signifies that creation proceeds in cycles and is time dependent, but the Lord Himself transcends time. The right side of the body symbolizes the human activities based upon knowledge, reason and logic. The snake looking towards the right side of the Lord signifies that the Lord's eternal laws of reason and justice preserve natural order in the universe.
  • Rudraksha necklace: Rudra is another name of Shiva. Rudra also means "strict or uncompromising" and aksha means "eye." Rudraksha necklace worn by the Lord illustrates that He uses His cosmic laws firmly - without compromise - to maintain law and order in the universe. The necklace has 108 beads which symbolize the elements used in the creation of the world.
  • Varda Mudra: the Lord's right hand is shown in a boon- bestowing and blessing pose. As stated earlier, Lord Shiva annihilates evil, grants boons, bestows grace, destroys ignorance, and awakens wisdom in His devotees.
  • Trident (Trisula): a three-pronged trident shown adjacent to the Lord symbolizes His three fundamental powers (shakti) of will (iccha), action (kriya) and knowledge (jnana). The trident also symbolizes the Lord's power to destroy evil and ignorance
  • Damaru (drum): a small drum with two sides separated from each other by a thin neck-like structure symbolizes the two utterly dissimilar states of existence, unmanifest and manifest. When a damaru is vibrated, it produces dissimilar sounds which are fused together by resonance to create one sound. The sound thus produced symbolizes Nada, the cosmic sound of AUM, which can be heard during deep meditation. According to Hindu scriptures, Nada is the source of creation.
  • Kamandalu: a water pot (Kamandalu) made from a dry pumpkin contains nectar and is shown on the ground next to Shiva. The process of making Kamandalu has deep spiritual significance. A ripe pumpkin is plucked from a plant, its fruit is removed and the shell is cleaned for containing the nectar. In the same way, an individual must break away from attachment to the physical world and clean his inner self of egoistic desires in order to experience the bliss of the Self, symbolized by the nectar in the Kamandalu.
  • Nandi: the bull is associated with Shiva and is said to be His vehicle. The bull symbolizes both power and ignorance. Lord Shiva's use of the bull as a vehicle conveys the idea that He removes ignorance and bestows power of wisdom on His devotees. The bull is called Vrisha in Sanskrit. Vrisha also means dharma (righteousness). Thus a bull shown next to Shiva also indicates that He is the etemal companion of righteousness.
  • Tiger skin: a tiger skin symbolizes potential energy. Lord Shiva, sitting on or wearing a tiger skin, illustrates the idea that He is the source of the creative energy that remains in potential form during the dissolution state of the universe. Of His own Divine Will, the Lord activates the potential form of the creative energy to project the universe in endless cycles.
  • Cremation ground: Shiva sitting in the cremation ground signifies that He is the controller of death in the physical world. Since birth and death are cyclic, controlling one implies controlling the other. Thus, Lord Shiva is revered as the ultimate controller of birth and death in the phenomenal world.

Lord Vishnu


The peace-loving deity of the Hindu Trinity, Vishnu is the Preserver or Sustainer of life with his steadfast principles of order, righteousness and truth. When these values are under threat, Vishnu emerges out of his transcendence to restore peace and order on earth.

The 10 Avatars:

Vishnu’s earthly incarnations have many avatars. 
His ten avatars are Matsyavatara (fish), 
Koorma (tortoise), 
Varaaha (boar), 
Narasimha (the man lion), 
Vaamana (the dwarf), 
Parasurama (the angry man),
 Lord Rama (the perfect human of the Ramayana), 
Lord Krishna (the divine diplomat and statesman),
 and the yet to appear 10th incarnation called the Kalki avatar.

In his commonest form, Vishnu is portrayed as having a dark complexion – the color of passive and formless ether, and with four hands.

Sankha, Chakra, Gada, Padma:

On one of the backhands he holds the milky white conch shell or ‘sankha’ that spreads the primordial sound of Om, and on the other a discuss or ‘chakra’ - a reminder of the cycle of time - which is also a lethal weapon that he uses against blasphemy. It is the famous Sudarshana Chakra that is seen whirling on his index finger. The other hands hold a lotus or ‘padma’, which stands for a glorious existence, and a mace or ‘gada’ that indicates punishment for indiscipline.

The Lord of Truth:

Out of his navel blossoms a lotus, known as Padmanabham. The flower holds Brahma, the God of Creation and the embodiment of royal virtues or ‘Rajoguna’. Thus, the peaceful form of Lord Vishnu discards the royal virtues through his navel and makes the Sheshnag snake that stands for the vices of darkness or ‘Tamoguna’, his seat. Therefore Vishnu is the Lord of ‘Satoguna’ - the virtues of the truth.

The Presiding Deity of Peace:

Vishnu is often depicted as reclining on a Sheshanaga – the coiled, many-headed snake floating on cosmic waters that represents the peaceful Universe. This pose symbolizes the calm and patience in the face of fear and worries that the poisonous snake represents. The message here is that you should not let fear overpower you and disturb your peace.

Garuda, the Vehicle:

The vehicle of Vishnu is the Garuda eagle, the king of the birds. Empowered with the courage and speed to spread the knowledge of the Vedas, Garuda is an assurance of fearlessness at the time of calamity.
Vishnu is also known as Narayana and Hari. The devout followers of Vishnu are called Vaishnavas, and his consort is Goddess Lakshmi, the goddess of wealth and beauty.